Identity Politics

The Selah Branch. Love it or Hate it. But nobody Likes it. Part One.

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It’s been about a year since I published my book The Selah Branch, a Novel of Time Travel and Race in America.

People love it, (it’s won numerous awards).

People also hate it, (I’ve lost friends over it).

No one seems to take the middle ground and just say they “like” it.

This post is about the people who love it and why. Part Two will give equal time to those who hate it.

As I’ve had women of color come up to me and tearfully thank me for writing the book. I’ve also had friends, people of color, stop speaking to me because I wrote it.

I knew when I waded into this territory of race, gender, and politics it was a minefield.  All the more so because I was writing a fictional story from the perspective of a woman of color, and I’m a white, cis-gendered, heterosexual, male author. I admit, there is an uncomfortable sense of misappropriation and lack of authenticity in that.

But first, at the risk of sounding defensive, a bit on the positive feedback and my original intentions regarding the story.

My book The Selah Branch features a fiercely intelligent, educated, African American college student, Kenia Dezy, as its protagonist. Kenia is the daughter of an African American woman—a physician—and a father who immigrated from Nigeria and became a surgeon. Kenia comes from a privileged background and has had opportunities to learn about her Nigerian roots, even travelling to West Africa to connect with her extended family. It’s been gratifying to see The Selah Branch receive generous reviews on Amazon and Goodreads. It’s also received numerous professional awards and accolades.

I’d never write a book from the perspective of a woman of color and claim that the protagonist somehow represented the voices of all oppressed women of color. I could never write such a character. To that end, I’d never even make such a claim for the characters I write who are white males like me. There is too much variety within that category alone for me to claim to represent all white males. That is an impossible task for any character, any writer, no matter their demographics, white, black, female, male, non-gendered, etc. . .  And it’s when we take the sample size of one character and extrapolate that representation to the greater whole that we are falling into the very old trap of stereotyping.

I would offer that part of the trick/illusion/talent of writing lies in the artist’s ability to step into the shoes, the skin, the lives of the characters we create. I believe this is similar for actors who portray characters who are perhaps very unlike their true selves.

Even though we authors must write from what we “know,” that is never enough. We still need to use our imaginations and we need to seek out new experiences to feed our imaginations. That way the range of what we know is ever expanding. This includes interacting with people, places, and perspectives that are novel to us. As my friend Rasheed Newson, a writer from television shows such as Narcos, The 100, and Army Wives has attested, “I’ve never been a drug dealer in Latin America, a teenager in space, or a wife of an enlisted soldier, but I write from those perspectives all the time. It’s part of the job and it’s the integral to the talent of being a writer.”

If writers, poets, playwrights, singer-songwriters, and/or actors were locked in to characters and voices that were only aligned with their given identities, it would be a poorer world indeed. Rasheed, as a gay black man would have a very narrow demographic to write about and write to. So narrow in fact, he would likely not have had as many writing opportunities as his career has actually afforded him. I would only be “allowed” to write protagonists who were white men. This would make my books City on a Hill, In the Darkness Visible, and Voyage of the Elawn—all featuring female leads—off limits to me.

Even now, I’m reading Earnest J. Gaines A Gathering of Old Men. Gaines switches chapter by chapter from the perspective of men and women, white and black, young and old. The novel is all the more powerful for it. If Gaines had been limited only to male characters because he was male, or black characters because he was black, this powerful piece of art—that stands as an indictment against racism and a persuasive argument for love and understanding—wouldn’t exist.

As I’ve mentioned in previous posts (https://www.tenebraypress.com/new-blog/2018/6/28/writing-characters-of-color-when-you-are-a-cis-gender-white-heterosexual-male) I think the position that we should only write from the point of view of characters whom we share an identity with is highly problematic. Such narrow boundaries does more to contribute to division than to foster understanding.

That said, I’ll be the first to admit my own experience, that which I “know” and “see” the world, is limited. I have blind spots. A few I know, but most I don’t. For instance, I’ve traveled to 36 countries. I have friends from a variety of backgrounds—backgrounds and orientations very different from my own. But some of these backgrounds I am familiar enough with that I would be comfortable creating a character from such a place.

But I’ve never traveled in south or central America. I’m sad to say I don’t have a plethora of intimate friends who come from a Latinx background. As a result, I can’t say I’d be comfortable trying to write from the point of view of a Latinx character. I doubt the character would have an authentic feel. I’ve simply had to few experiences and not enough Latinx friends and family members who can speak into my life or check me when I get outside my lane.

In this respect, writers such as my friend Rasheed or my hero Earnest J. Gaines have an advantage over me. As members of minority/oppressed groups, to survive in mainstream society they have to understand the perspectives of the dominant culture.

As a white male, sadly, I don’t. For me, I have to make a conscious, intentional effort to try to see past my own privilege. And I don’t always do it right.

That said, I did feel comfortable writing Kenia Dezy and crafting the members of her family in The Selah Branch. Mainly this is because I’ve been blessed to have friends like Kenia. One of my dearest and oldest friends, Chisara, a woman I’ve considered my “little sister,” and a friend who was so instrumental in encouraging my early writing career that I dedicated my first book to her—she served as the template for Kenia. Do I know enough college educated, upper middle-class black women with a Nigerian heritage to claim to represent all of them? Of course not.

But do I know my friend Chisara and her family. So I felt comfortable writing a story about someone like her.

As a result, the positive feedback I’ve received regarding The Selah Branch has been that women whose experiences align with Kenia LOVE The Selah Branch. They enjoyed a story centered on a character whose experience reflected their own. One woman who had attended a college in a small white town in Texas, where she was one of the few black people, told me that reading The Selah Branch made her feel “seen” and her own struggles validated.

Ultimately, to only identify with characters (or people!) who match our hyphenated identities, may leave us wanting. As a practice, the approach suffers from the same drawbacks that leaves identity politics open to criticism—mainly that is only leaves us more divided and more alienated from one another.

What I hoped to do with The Selah Branch and with Kenia’s character was what drove me to write it and her in the first place: I identify with Kenia. I firmly believe there are universal things that connect us, unite us, and draw us closer through bonds of humanity and compassion. These are things that transcend our long-tailed demographic labels. These are the desires of our hearts, the goals of our lives, the values we champion. I identify with Kenia, not because she is a black woman, but because she is a someone who is against racism, who loves her family and friends, who wants to live right in relationship with others, and who wants America to live up to its ideals.

These things bring us together, across color lines, ethnicity, educational background, and social economic status. My hope with The Selah Branch, was to show that.

Next post: why people hate The Selah Branch. Why they are right, and why I have been donating all the proceeds to causes that counter racial injustice.

Out of Many, One. Identity Politics, Loneliness, and Falling (Back) in Love with America

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While reflecting on the place our country finds itself in right now I’ve come across two great articles that have gotten my mental gears turning and given me insight, even some optimism.

The first is In extremis by Nabeelah Jaffer published on the website Aeon this week.

https://aeon.co/essays/loneliness-is-the-common-ground-of-terror-and-extremism

Jaffer, a PhD student at the University of Oxford challenges our widely held belief that religious extremism, fanaticism, and violence are phenomena born out of foreign lands, foreign cultures, and foreign faiths. Instead she highlights that the root of these social ills lies in the universal experience of loneliness.

As George Orwell said, sometimes it takes all our effort just to see what is right in front of our faces.

Jaffer’s observations already fit with the clichés we hear uttered about nearly every mass shooter, domestic terrorist, or serial killer: they are loners. . .alienated, isolated (and almost always male—that is a whole other blog post). But Jaffer pushes her readers to see the foreign terrorist, the domestic mass shooter, and the violent white supremacist as one in the same. We should. The distinction between domestic and foreign criminals who perpetrate this type of extremist violence is facile at best. It relies on an “othering” of people from different nationalities and backgrounds that has no real basis in fact. No matter who we are, where we are from, our hearts break for the same reasons.

What Jaffer’s article opens up is a line of inquiry to examine the alienation and isolation that is behind violence in the Middle East, violent Alt-Right extremism here in the states, and even nativist White Supremacist hate groups in Europe. These are manifestations of the same maladies and might even have similar solutions. (Spoiler alert, those solutions are love and inclusion—don’t act surprised, the name of the blog is BELONG after all).

The second article is the special report in the July 14-20th edition of The Economist (full disclosure, I am an unapologetic fanboy of The Economist). This special report on America’s Democrats, taken with the same issue’s cover story on the inherent bias built into the electoral college and its “odious” (The Economist’s word not mine) roots in slavery make the edition a MUST read.

I’m sympathetic to the spirit of what is often derided as “identity politics.” I think it is crucial we recognize that people from different backgrounds—ethnicity, gender, sexual orientation, faith, etc . . . have different experiences of the world. This is a non-negotiable if we are to move forward as a country and try to evolve away from out normalization and centering of “whiteness” and “maleness.” I like how the report, in the balanced-yet-witty fashion of the Economist, says the following:

“Candidates who are not in power must be able to persuade people that they share their worries, are on their side and, at some level, are like them. Voting is partly an exercise in narcissism. People want to be able to look at a candidate and see something of themselves. When your party does this, it is called empathy. When the other side tries, it is called identity politics.”

I admit, identity politics frequently leaves me with a sense of unease. For taken too far, I see its potential to set us apart from one another to further divide us. A balance needs to be struck, but what that balance is exactly, has eluded me up to this point. How do we do so without glossing over people’s legitimate experiences, their unique identities, the value of different voices?

The Economist article goes on to posit a way forward. It closes with an interview with Governor Jerry Brown of California—a leader who has remained relevant in an increasingly diverse electorate by consistently being on the cutting edge of progressive politics, and one might say, the right side of history. (The guy has been succeeding in California politics longer than I’ve been alive, serving as Governor in the seventies and today—well played Mr. Brown, well played).

Brown argues that we need to steer clear of the roll call of identities taking over the introduction of speeches by democratic candidates. While we certainly need to de-center white-masculinity, this does not mean we value some voices over others. We white men definitely need to do more listening and less talking these days. There needs to be a shift in how much time folks get to hold the microphone. But telling white men to simply “shut up” because they are not valued and people of color are, is just the mirror opposite of the white supremacy we are trying to combat today. James Baldwin said as much years ago when he criticized the Nation of Islam of exhibiting the very same racism as the whites they were calling devils.

I say that knowing I’ve have, figuratively, told white men to shut up at times. (Sometimes they deserved the rebuke—looking at you Matt Damon). Those of us on the progressive side of things are all likely guilty of some version of this I fear. It takes several forms. It even can show up when we tokenize the stories and voices of people of color, LGBTQ, (at the risk of appropriating them), simply moving down that “check list of oppressed identities” without reflecting on the individual persons telling their story. We don’t pay attention to the person as much as the label and the perfunctory task of getting some “melanin behind the microphone” for optics rather than true recognition.

It’s a tricky balance to strike I admit, but we need to constantly check ourselves, our motives, and how we present ourselves and ask others to tell their stories (and others not to). When we appear to completely devalue some points of view because they are too “privileged,” when we are blind to their pain or treat them as inauthentic, we get into dangerous waters. It can lead us into, what some observers have deemed, the “misery Olympics.” It even contributes to the (mistaken) impression among some whites that they are being persecuted.

Let me be the first to say they aren’t. But we can over steer in our efforts to self-correct and end up doubling down on differences, which can further alienate us from each other. This can make some people, who operate on a scarcity model, feel that in the recognition of historically marginalized voices means their own will be lost.

It won’t be. We’re all made better by inclusion of many voices. I’m convinced of it, but it requires a shift from a zero-sum to win-win mindset. One of generosity. That is NOT the worldview promoted by our current administration. If anything, the current administration has succeeded by doing the opposite, convincing people that if others are “winning” they must be losing. . .and on the verge of social extinction, which some (idiots) interpret as genocide.

                <Eye Roll>

                I can’t even . . .

As we correct historical imbalances in representation, however, it can be an exceedingly tough balancing act and sometimes feels like a real catch-22. But Governor Brown presents a refreshing antidote, urging us to focus on an articulation of the American identity that is, at its core, inclusive.

That has always been the ideal of America from the beginning, but not the practice. (This is captured powerfully in the recent excavation of the burial site of George Yeardley, the first governor of Jamestown settlement in the colony of Virginia. Yeardley was the first leader of a representative assembly in North America, as well as its first slave holder. He is the inescapable epitome the contradictory themes of our country, right there, in front of our faces from its very beginning: https://www.washingtonpost.com/local/archaeologists-have-found-the-remains-of-one-of-jamestowns-early-settlers-now-they-have-to-prove-he-is-who-they-think-he-is/2018/07/23/81c71708-8901-11e8-85ae-511bc1146b0b_story.html?utm_term=.1d61235c0c43 ).

But enough about the governor of Jamestown. Back to the governor of California, Jerry Brown. Here I see that, again, we can evoke George Orwell: the solution was staring us in the face the whole time. In Brown’s words, progressive leaders need to “wrap themselves in the flag and become grounded in this ‘Americana business.’” By Americana business, Brown does not mean whiteness, border walls, guns, or Christianity. He means embracing and fighting for an American identity that emphasizes the things about America that leads so many to fall in love with her in the first place: freedom of speech, of the press, of faith, equal access to opportunity and protections of the law. As The Economist report concludes, we “must relearn the language of American civil religion: self-evident truths; a shining city upon a hill; life, liberty, the pursuit of happiness. And above all, e pluribus unum: out of many, one.”

(An aside: I wonder if “out of many one,” has been floated with focus groups as a slogan for the next democratic presidential campaign slogan).

This vision not only helps us to strive towards the best ideals of the United States of America, but it presents us with a big-bucket identity that is at once inclusive and also embracing of our differences. It might also be a healthy counter to the hyper-categorization and segregation of the electorate we see taking place by political operatives who place emphasis on long-tailed labels. Some labels have value. They help us to be SEEN. But they can also lead to the isolation and alienation Nabeela Jaffer warns against in the first article mentioned above. This is the very isolation that leads to political extremism and violence, especially if it contributes to the “othering” of our brothers and sisters.

I see Jerry Brown’s approach as a shift from a deficit minded lens to a strengths-based one. I guess my hope is that the socially conservative, church-going white-dude in Alabama (Joe six pack) can stand alongside green tea sipping LGBTQ allied, agnostic, AfroLatina in San Francisco (Ayesha Yoga mat) and they can realize there are American ideals that unite us, not just labels that divide us.

Out of Many, One.